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Mike Gonzalez

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Mike Gonzalez

MIKE GONZALEZ is the Angeles T. Arredondo Senior Fellow on E Pluribus Unum at The Heritage Foundation in Washington, D.C. He spent close to twenty years as a journalist, fifteen of them writing from Europe, Asia, and Latin America. He left journalism to join the Bush administration, where he was a speechwriter for Securities and Exchange Commission chairman Christopher Cox before moving on to the State Department’s European Bureau, where he wrote speeches and op-eds. Since 2009, he has been at The Heritage Foundation, where he writes on national identity, diversity, multiculturalism, assimilation, and nationalism, as well as foreign policy in general.


Titles by this Author

  • Mike Gonzalez

    The Plot to Change America exposes the myths that help identity politics perpetuate itself. This book reveals what has really happened, explains why it is urgent to change course, and offers a strategy to do so.

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  • Mike Gonzalez

    The George Floyd protests that have precipitated great changes throughout American society were not spontaneous events. Americans did not suddenly rise up in righteous anger, take to the streets, and demand not just that police departments be defunded but that all the structures, institutions, and systems of the United States—all supposedly racist—be overhauled. The 12,000 or so demonstrations and 633 related riots that followed Floyd’s death took organizational muscle. The movement’s grip on institutions from the classroom to the ballpark required ideological commitment. That muscle and commitment were provided by the various Black Lives Matter organizations.

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  • Mike Gonzalez

    The Plot to Change America exposes the myths that help identity politics perpetuate itself. This book reveals what has really happened, explains why it is urgent to change course, and offers a strategy to do so.

    Read More
  • Mike Gonzalez & Katharine Cornell Gorka

    This book explains how it is not Soviet Marxism, but a Marxism that was shaped by European intellectuals, adapted and refined by America’s student radicals of the 1960s, and diffused throughout the culture that has caused today’s social ills.

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