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With characteristic rigor and moral urgency, Mac Donald challenges the notion that Beethoven, Bach, or Brahms are symbols of exclusion, while exposing the paralysis of music professionals who refuse to defend their art.
In Futurepast, Gasda argues that technology, privatization, and the culture of narcissism have systematically dismantled the social, spiritual, and physical infrastructure that made human life meaningful—from neighborhoods and churches to tools, rituals, and the capacity for attention itself.