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ROGER KIMBALL is Editor and Publisher of The New Criterion and President and Publisher of Encounter Books. He is an art critic for National Review and writes a regular column for PJ Media. Mr. Kimball lectures widely and has appeared on national radio and television programs as well as the BBC.
Mr. Kimball’s latest book is The Fortunes of Permanence: Culture and Anarchy in an Age of Amnesia (St. Augustine’s Press, 2012). He is also the author of The Rape of the Masters (Encounter), Lives of the Mind: The Use and Abuse of Intelligence from Hegel to Wodehouse (Ivan R. Dee), and Art’s Prospect: The Challenge of Tradition in an Age of Celebrity (Ivan R. Dee). Other titles by Mr. Kimball include The Long March: How the Cultural Revolution of the 1960s Changed America (Encounter) and Experiments Against Reality: The Fate of Culture in the Postmodern Age (Ivan R. Dee). Mr. Kimball is also the author of Tenured Radicals: How Politics Has Corrupted Our Higher Education (HarperCollins). A new edition of Tenured Radicals, revised and expanded, was published by Ivan R. Dee in 2008.
Mr. Kimball is a frequent contributor to many publications here and in England, including The New Criterion, The Times Literary Supplement, Modern Painters, Literary Review, the Wall Street Journal, The Public Interest, Commentary, The Spectator, The New York Times Book Review, The Sunday Telegraph, The American Spectator, The Weekly Standard, National Review, and The National Interest.
Mr. Kimball is also a contributor to and co-editor, with Hilton Kramer, of Against the Grain: The New Criterion on Art and Intellect at the End of the Twentieth Century, The Future of the European Past: Essays from The New Criterion, The Betrayal of Liberalism: How the Disciples of Freedom and Equality Helped Foster the Illiberal Politics of Coercion and Control, The Survival of Culture: Permanent Values in a Virtual Age, Lengthened Shadows: America and Its Institutions in the Twenty-First Century, and Counterpoints: 25 Years of The New Criterion on Culture and the Arts all of which are published by Ivan R. Dee. In addition, Mr. Kimball edited and provided introductions to an edition of Walter Bagehot’s Physics and Politics: Or, Thoughts on the Application of the Principles of “Natural Selection” and “Inheritance” to Political Society (Ivan R. Dee) and Against the Idols of the Age (Transaction), an anthology of writings by the Australian philosopher David Stove.
Mr. Kimball has served on the Board of Advisors of the Gilder-Lehrman Institute of American History, the Board of Visitors and Governors of St. John’s College, Annapolis and Santa Fe, and Transaction Publishers. He currently serves on the board of the Manhattan Institute for Policy Research.
The rise of populist movements across the political spectrum poses a vital question: what role should populism play in modern democracy? In ten trenchant essays, the writers of The New Criterion examine the perils and promises of populism in Vox Populi, a new collection that marks the thirty-fifth anniversary of this critical journal.
The ideas and policies that are percolating down from 1600 Pennsylvania Avenue and Capitol Hill—increased government intervention, calls to “spread the wealth around,” onerous regulations, and bailouts for all—are not new. We’ve been down this road before. We know where it leads.
The Rape of the Masters exposes the charlatanry that fuels much academic art history and leaks into the art world generally, affecting galleries, museums and catalogues. It also provides an engaging antidote to the tendentious, politically motivated assaults on our treasured sources of culture and civilization.
In a series of penetrating reflections on the United States and its institutions in the post-9/11 world, this book offers some answers to questions that people at home and abroad have begun to ask about our country. How did it attain its international preeminence? What exactly is this richest, most powerful of countries made of? Where will its unmatched influence lead?
In The Long March, Roger Kimball, the author of Tenured Radicals, shows how the “cultural revolution” of the 1960s and ’70s took hold in America, lodging in our hearts and minds, and affecting our innermost assumptions about what counts as the good life. Kimball believes that the counterculture transformed high culture as well as our everyday life in terms of attitudes toward self and country, sex and drugs, and manners and morality.