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Batya Ungar-Sargon
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Request This AuthorBATYA UNGAR-SARGON is the opinion editor of Newsweek. Before that, she was the opinion editor of the Forward, the largest Jewish media outlet in America. She has written for the New York Times, the Washington Post, Foreign Policy, Newsweek, the New York Review of Books Daily, and other publications. She has appeared numerous times on MSNBC, NBC, the Brian Lehrer Show, NPR, and at other media outlets. She holds a PhD from the University of California, Berkeley.
Titles by this Author
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Read MoreSomething is wrong with American journalism. Long before “fake news” became the calling card of the right, Americans had lost faith in their news media. But lately the feeling that something is off has become impossible to ignore. That’s because mainstream news is not liberal anymore; it’s woke. Today’s newsrooms are propagating radical ideas that were fringe as recently as a decade ago, including anti-racism, intersectionality, open borders, and critical race theory. How did this come to be?
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Related Titles
Something is wrong with American journalism. Long before “fake news” became the calling card of the right, Americans had lost faith in their news media. But lately the feeling that something is off has become impossible to ignore. That’s because mainstream news is not liberal anymore; it’s woke. Today’s newsrooms are propagating radical ideas that were fringe as recently as a decade ago, including anti-racism, intersectionality, open borders, and critical race theory. How did this come to be?
Castro’s cachet as a celebrity icon of anti-Americanism has always overshadowed his record as a warmonger, racist, sexist, Stalinist, and godfather of modern terrorism. The Longest Romance uncovers this shameful history and names its major accomplices.
William McGowan opens the door to the newsrooms at USA Today, the New York Times, the Washington Post and other pillars of the “mainstream press” in this carefully researched investigation of how the quest for “diversity” has affected American journalism.
W.H. Auden wrote, “Poetry makes nothing happen.” Journalism is a different matter. In a brilliant study that is, in part, a memoir of his 40 years as an essayist and critic at Time magazine, Lance Morrow returns to the age of typewriters and to the twentieth century’s extraordinary cast of characters—statesmen and dictators, saints and heroes, liars and monsters, and the reporters, editors, and publishers who interpreted their deeds. He shows how journalism has touched the history of the last 100 years, has shaped it, distorted it, and sometimes proved decisive in its outcomes.
This book is about how the Wall Street Journal’s opinion pages became the leading forum for the discussion of political and economic policies in the US. This book goes back to the original editorials of Charles Dow and his beliefs in political and economic freedom, to explain how the Journal attained such prominence and influence.
Until now, Hollywood’s political history has been dominated by a steady stream of films and memoirs decrying the nightmare of the Red Scare. But Ronald and Allis Radosh show that the real drama of that era lay in the story of the movie stars, directors and especially screenwriters who joined the Communist Party or traveled in its orbit.