Free shipping on all orders over $40.
ERIC GIBSON is the Arts in Review editor of The Wall Street Journal and one of the paper’s art critics. He grew up in England and graduated with a B.A. in Art History from Trinity College in Hartford, Connecticut. He is the author of The Sculpture of Clement Meadmore (Hudson Hills Press, 1993) and lives with his wife on Long Island.
Titles by this Author
Related Titles
Andrew Forge was an English painter and a teacher of painting (Yale University 1975–1994), renowned and respected on both sides of the Atlantic. But he was also known for his writing on the arts, spanning almost fifty years, which was admired for the delicacy and openness of his language and the ways in which he thought about the processes of perception in all their sensual possibilities.
Based on 30 years of his award-winning teaching of writing, Dr. Gregory Roper shows how you can use the nearly-forgotten ancient technique of Stasis Theory to build better, cleaner, more persuasive prose.
The Rape of the Masters exposes the charlatanry that fuels much academic art history and leaks into the art world generally, affecting galleries, museums and catalogues. It also provides an engaging antidote to the tendentious, politically motivated assaults on our treasured sources of culture and civilization.
Openings & Outings brings together over forty pieces from the long and distinguished career of the writer and commentator David Pryce-Jones.
In the aftermath of World War II, America stood alone as the world’s premier military power. Yet its martial confidence contrasted vividly with its sense of cultural inferiority.
Few Americans are aware that Washington is the country’s largest single patron of art. Every year a group of unelected federal bureaucrats and congressmen spends millions of taxpayer dollars on monuments, sculptures, buildings, plays, and exhibitions, largely without public knowledge or involvement.